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Project synopsis

Though some are panicking that AI is eventually going to replace human judgment, the more likely scenario is that human judgment will simply be altered and modified by the presence of AI “partners.” Partners, perhaps, because the technology currently classified as AI does not comfortably fit our ideas of what a tool is. Because AI technologies seek to simulate our own capabilities, to say that AI is nothing but a tool would imply that we are also nothing but a tool.So, counter to this idea of AI being merely a new kind of tool would have to be the premise that AI is like us.Therefore, potential collaborators. Using one or more networks from a new class of AI software, style transfer algorithms, cycleGANs (generative adversarial networks), etc., I experimented with how this new automated process of “seeing” might begin to suggest both new architectural forms and expressions as well as new grounds upon which these new architectures would occupy.

Info

Los Angeles, California
2019

CORROSION
/PAREIDOLIA

Los Angeles through the Eyes of the Machine

“Late twentieth-century machines have made thoroughly ambiguous the difference between natural and artificial, mind and body, self-developingand externally designed, and many other distinctions that used to apply to organisms and machines. Our machines are disturbingly lively, andwe ourselves frighteningly inert.”

- Donna Haraway

Spinning are the gears, roaring is the engine, the factory never stops working.
Iron melts, steam bursts, noisy sound echoes in the air.  
There, at this very moment, the corrosion begins.

The site is Mission Junction, otherwise known as the North Industrial District. It is north of downtownLos Angeles (DTLA) and bordered and cut off from adjacent neighborhoods by two railways, the Los Angeles StateHistoric Park, and the LA river. It is one of the oldest neighborhoods in Los Angeles and, as its name suggests, primarily occupied by industrial warehouses. This neighborhood is beginning to redefine itself as an exciting and upcoming cultural district as artists collectives, galleries, music venues, restaurants and wineries have begun to move there.I chose the factory that sit on the triangle interchange and considered how to engage in this new development by looking, with augmented eyes, for unique moments in this neighborhood and put forward a series of architectural proposals designed fully in collaboration with our AI network partners.

Because these AI networks must be trained with images in order to learn how to “see,” they can be introduced to architecture much in the same way that we study architecture, that is through images, drawings, photographs, etc. In other words, precedents. But, because machine vision appears to misalign or misinterpret precedents in an entirely novel way – one might say absurd, or uncanny – strange and exciting questions about the role of historical influenceon the production of new objects begin to emerge. We exploited these new potentials of precedent as catalyst to accelerate the generation of the new factory.‍The form of the factory is not fully pregiven in a completed plan, nor the elements of the construction in standardized molds to be filled in with inert matter.  The factory is empowered by artificial intelligence with opportunity and capacity to beself-evolving and self-representing. This sort of corrosion rejuvenises thefactory by introducing uncertainty, changefulness, and spontaneity.

Ai helps create and update form generation from simply mechanical to fully intergrated pattern

Changing the attribute of stone and steel, the burgeoning of corrosion spread out through the site. Although continuous in form, the corroded matters grow across “broken lines.” At each step, their curvature might inflect, or they might bifurcate or merge. it varies and distributes them following the growth of form. Eventually, the factory becomes the repercussion of the corrosion.

The factory is born from the spreading of pattern and it becomes the pinnacle of form language

Entwining around each other, or changing direction in unisonto avoid entwinement, every inch of the wall is moving and mutating to establish an inextricable, indivisible relationship between the interior and exterior.

All the possible iterations of interior integrate into one result. Rather than adding together as separate segments, they mutually inflect, in a shared movement tending toward (but never reaching) the plane-filling limit, that of the saturation of their shared ontological plane of cross-construction. Harmoniously, a new blueprint of the factory is born.

Exactly how corrosion eventuates is determined by the result of oxidation reaction, influenced by the factory’s material and spatial characteristics. The work of artificial intelligence, in its encounter with the material, becomes an internal growth factor of the design.

Here, at this very moment, the corrosion ends.

Spinning are the gears, roaring is the engine, the factory never stops working.
Iron melts, steam bursts, noisy sound echoes in the air.  
There, at this very moment, the corrosion begins.